Violence into Art: “A Poetic Treatment Of My Experiences”
2nd July 2021
Jeu Jeu la Foille, also known as Victoria Hancock, is a performance artist whose show “Testy Manifesto” portrays the emotional journey of a domestic abuse victim. Influenced by personal experience, Jeu Jeu’s performance is a way of exploring the sides of abuse that are usually left in private. To experience this outstanding performance live, come to Guildford Fringe on Saturday 24th July in the afternoon.
Tell us a little bit about yourself and what you do.
What I do tends to take many forms, but primarily I’m a writer and a teacher, with a focus on puppetry and poetry. I lead a strange and scandalous double life as Jeu Jeu la Foille, who is my performance persona, and she allows my more serious and studious side to take a back seat now and then.
I have an endless fascination and curiosity for pretty much everything, the more fantastical the better, and the only thing that seems to slow me down is being in or near water.
What are your biggest influences?
From 2010 to 2019 I was a burlesque performer, and an added bonus of that was getting to see all sorts of cabaret and variety performance, and meeting a whole tribe of like-minded weirdos, who continue to inspire and challenge me. I trained as a clown and mime artist at a physical theatre school, so I’m drawn to performance styles on the circus/immersive/non-traditional spectrum.
But without a doubt, my biggest influence is Tom Waits, and were it not for him I may have never found my voice an artist and written my first solo show ‘Jeu Jeu la Foille’s Frontal Lobotomy.’
According to your blog post, the story behind Testy Manifesto was derived from personal experience. What inspired you to share it?
Going through an experience with intimate partner violence was the most harrowing and transformative thing that has ever happened to me. While I was in it my only goal was to survive and get through each day. When it finally ended – four non-molestation orders, three court appearances, two house moves and countless police interviews later – I was left with a lot of emotional pain, and so many questions. Why did this happen to me? Why does this happen to so many people? Any why isn’t everyone talking about it?
I began writing ‘Testy Manifesto’ in the spring of 2019, starting with little poems, as a way of staying grounded and processing it, and that gradually developed into the performance it is now. Since then lots more has happened in the public sphere with regard to domestic abuse and people are talking about it more openly; this spurred me on and kept me going when I was floundering and nothing I was creating seemed to make any sense.
I’ve ended up with a poetic treatment of my experiences with intimate partner violence, that encompasses activism, storytelling and some moments that I hope reveal the sides of victimhood we don’t usually see. There is also the healthy dose of irony, irreverence and silliness that Jeu Jeu is known for.
What were the obstacles you had to overcome when creating this performance?
You mean apart from breaking down in tears every time I tried to write or rehearse any of it?! There was a lot of stickiness to move through, a great deal of mental wrestling. Words are extremely powerful, and I’ve had to remind myself to stay playful with the material, and not try to pre-empt or mitigate the audiences experience of it. Friends and family that saw the in-progress performances or read the script have found it hard to take, as I did such an Oscar-winning performance of pretending everything was fine while the abuse was happening. The challenge has been to keep it as personal and authentic as possible, without being too preachy, prescriptive or graphic, but still take risks and push myself as a creator. I’ve dubbed it my ‘difficult second album.’
Is there any healing advice you would like to share with SATEDA’s audience?
For survivors I’d say give it time and be extremely gentle with yourself. I was so impatient with my recovery, I used to think ‘Well there’s no immediate danger anymore, so why haven’t I pinged back to my normal happy, busy self already?’ It really doesn’t work like that. I found attending the Freedom Program and reading the accompanying book ‘Living with the Dominator’ very helpful to combat the isolation and shame I felt initially, and for the past eighteen months I’ve regularly seen a counsellor who has knowledge of domestic abuse. Most importantly I’d say, find your joy – it’s an opportunity to focus on yourself and discover what truly lights you up, in whatever way that’s possible for you.
Could you share with us your website and social media links, as well as performance dates?